I don’t want to give too much away. But I can guarantee that you won’t be disappointed. Alan Taylor’s vision of Thor 2 is utterly brilliant. The journey continues in the most epic dimension and proportion imaginable. It’s very, very exciting.
The best thing about being Loki is that he is my diametric opposite. Physically, he is a photo negative of who I am. Loki is dark and pale, and I am light and fair. Also spiritually I am not much like him either. Yet I feel an incredible freedom in playing him. He is a combination of mercurial intellectual ability, emotional ambiguity, rakish charm, charisma and provocative wit. He has a wicked inclination to mischief, underneath which is a well of spiritual pain. Both these aspects are central to his depth as a character: his unashamed and perverse delight in creating chaos; and his capacity for raw emotional expression. And – as my American friends tell me – he’s kind of a badass! He’s one of the richest, most rewarding, most fun characters I’ve ever played.
They saved it for the end, so Rachel and I knew each other pretty well. In a sense we’d already been naked in that we’d been crying, shouting and kissing each other for weeks, but we finally did it on Christmas Eve, and let me put it this way: I didn’t eat any mince pies until Christmas Day. […] Terrible, isn’t it? Because you shouldn’t let vanity get in the way, but I did think ‘It would be nice to look great.’
It’s like being in a rugby team. We used to pull up our shirts with me saying ‘Look at the size of this bruise on my hip’ and then Chris Evans pulling down his trousers going, ‘Dude, you think that’s bad – look at my ass.’ The worst was I smashed my elbow during a tête-à-tête with Mark Ruffalo’s Incredible Hulk. It really hurt.
I don’t think Loki’s attitude to women is particularly healthy or tender. But the gold standard has to be honesty and psychological reality and naturalness and depth. Even if you’re playing this crazy, anarchic demon with a horned helmet, it still has to have a foundation in the truth
[…] with Tony, Chris, and me, he boiled it down to a father and two sons, the two brothers warring and competing for their father’s love, pride, and affection. It makes it very easy to play when you’ve got such a simple, human, relatable emotion. Which is why I want my dad to love me more than he loves my brother.
It’s one of the greatest journeys you can play – from wayward, wild, rebellious youth to compassionate, intelligent warrior poet, […] I’ve always dreamed of it.
Depression is the most unpleasant thing I have ever experienced… . It is that absence of being able to envisage that you will ever be cheerful again. The absence of hope. That very deadened feeling, which is so very different from feeling sad. Sad hurts but it’s a healthy feeling. It is a necessary thing to feel. Depression is very different.
All of Shakespeare’s best plays are about royal families shattering in pain. Lo and behold in the center of Thor you have the royal family of Asgard shattering in pain. Kenneth knew he wanted to create something spectacular and that the world of Asgard was going to be shatteringly beautiful.
I was never the clown at school, I had some really rebellious classmates when I was at school. I’ve always been quite internally rebellious. I think everybody at school thought I was going to become a teacher; it was a massive misjudgment of my character. Which maybe reflects that I never played all my cards, I kept them close to my chest. I guess that is somehow like Loki in some way. There is a distance. He is watching everything all the time from a distance. I guess I’m a bit like that.